Posts

Theater Review: CSUF’s “Merrily We Roll Along” (2022)

Theater Review: Phantom Projects’ “The Face of Emmett Till” (2022)

A Few More Asexual Creators You Should Check Out

How I Live Now: October 2022

Ace Freely: Nancy Stokes in “Good Luck to You, Leo Grande” (2022)

Looking Back on Two Years of Being Ace

Theater Review: Theater Works’ “Dog Man: The Musical” (2022)

Short Stop: #30. William Faulkner’s “Pennsylvania Station”

Single Awareness: Blink-182 – “Edging” (2022)

The Messiness

Looking Back on Kreayshawn’s Notorious Debut 10 Years Later

Short Stop: #29. William Faulkner’s “Fox Hunt”

Short Stop: #28. William Faulkner’s “Dr. Martino”

Review: "Pearl" (2022) Finds the Haunting Limits of Art as Escapism

A Look Back at the 2022 WNBA Season

An Appreciation for Messy Art

Theater Review: Stage Door Repertory Theater’s “The Hunchback of Notre Dame” (2022)

Theater Review: La Mirada Theater’s “Young Frankenstein” (2022)